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This volume approaches the problem of the canonical “center” by looking at art and architecture on the borders of the medieval world, from China to Armenia, Sweden, and Spain. Seven contributors engage three distinct yet related problems: margins, frontiers, and cross-cultural encounters. While not displaying a unified methodology or privileging specific theoretical constructs, the essays emphasize how strategies of representation articulated ownership and identity within contested arenas. What is contested is both medieval (the material evidence itself) and modern (the scholarly traditions in which the evidence has or has not been embedded). An introduction by the editors places the essays within historiographic and pedagogical frameworks. Contributors: J. Caskey, K. Kogman-Appel, C. Maranci, J. Purtle, C. Robinson, N. Wicker and E.S.Wolper.
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This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.
Dragons in art. --- Islamic art and symbolism. --- Art, Byzantine. --- Art, Medieval --- Christian art and symbolism --- Dragons in art --- Islamic art and symbolism --- Islamic symbolism --- Symbolism, Islamic --- Islamic art --- Islamic arts --- Symbolism --- Symbolism in art
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Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today.
Gothic fiction (Literary genre) --- Gothic horror tales (Literary genre) --- Gothic novels (Literary genre) --- Gothic romances (Literary genre) --- Gothic tales (Literary genre) --- Romances, Gothic (Literary genre) --- Detective and mystery stories --- Horror tales --- Suspense fiction --- History and criticism. --- Arts and society --- Visual communication --- Communication and culture --- Motion pictures --- Art, Gothic. --- Gothic revival (Art) --- Culture and communication --- Culture --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Art, Modern --- Arts, Modern --- Revival movements (Art) --- Gothic art --- Art, Medieval --- Christian art and symbolism --- History. --- Social aspects --- History and criticism --- History of civilization --- popular culture --- magic lanterns --- Gothic novels --- horror films --- visual culture --- horror film
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